3x03 - My Inner Whitelighter

[Prue Brianna Johnna Halliwell]

DESTINED

"MY INNER WHITELIGHTER"

TEASER

OVER BLACK.

FADE IN:

EXT. ASHLEY MORRISON'S OFFICE - DAY

Some cars parked outside.

CUT TO:

INT. ASHLEY MORRISON'S OFFICE - WAITING ROOM - DAY

Ben is there sitting in the waiting room. He's reading a magazine. Cassandra comes in. As she does, her eyes and Ben's meet each other. They stare at each other for seconds.

RECEPTIONIST

Cassandra!

Cassandra looks at the receptionist and heads there while Ben looks at her.

CASSANDRA

I'm sorry I left last time without an explanation.

RECEPTIONIST

Don't worry. Dr. Morrison will see you in a minute.

CASSANDRA

OK.

Cassandra turns around and faces Ben.

BEN

(smiling)

So, you're back.

CASSANDRA

(approaching him)

Yeah. I'm sorry the way I behave last time.

BEN

Hey, we are in a shrink's office. It's OK.

Cassandra smiles.

BEN (CONT'D)

Want to sit?

Cassandra nods positively. She sits beside Ben.

BEN (CONT'D)

Are you feeling better?

Cassandra looks at him.

CASSANDRA

I´m alive.

(forces a smile)

That's what matters.

Ben looks at her.

BEN

You shouldn't blame yourself for what happened to him.

CASSANDRA

I know.

BEN

Do you want to talk about the way he died?

Cassandra looks at him.

CASSANDRA

He was killed by ---

(pauses)

--- He suffered a heart attack due an electrical gadget.

BEN

I'm sorry to hear that.

CASSANDRA

He was causing troubles at my sister's club.

BEN

He was a badass then?

CASSANDRA

(smiles)

You can say that.

Both Ben and Cassandra look at each other deeply. At that moment, the office's door opens and the doctor Ashley Morrison (47) comes out.

ASHLEY

Cassandra, you can come in now.

Cassandra smiles. She gets up and is about to enter the office, but stops.

ASHLEY (CONT'D)

(to Ben)

Ben, we should better leave our lunch for another day, honey.

Cassandra glances from Ben to Ashley.

BEN

I'll see you at dinner, mom.

Cassandra shoots Ben a surprised look. He's the doctor's son. Ashley gets into the office.

CASSANDRA

(to Ben)

Mom?

Ben shrugs. Cassandra grimaces. She turns around and enters the office. The door is closed. Ben grimaces, takes his backpack and leaves the room. The phone rings and the receptionist answers it.

RECEPTIONIST

Doctor Ashley Morrison's office. How can I help you?

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - DAY

Ignatius comes in followed by Tyree and another demon, ANTHONY (looks 35). Anthony looks like is doing good in his life.

ANTHONY

--- He has an enormous collection of books.

IGNATIUS

And you said that most part of it he gained from his ancestors?

ANTHONY

Indeed. So maybe he has the book you are looking for.

IGNATIUS

I doubt it. I've tried to casts spells to find the book.

ANTHONY

You said it is a very ancient book. Maybe a simple spell won't get you to it.

Ignatius and Anthony look at each other. Tyree looks at them.

ANTHONY (CONT'D)

I'm gonna get close to Sebastian Whitmore and try to find out if the book you're looking for is with him. Can you tell me the name of the book?

IGNATIUS

The collection is known as the Books of The Angels. The one I need is the last volume of that collection of seven books. The Spells of the Angels.

ANTHONY

Are you messing with angels now?

Ignatius smiles.

IGNATIUS

Oh, no. If I succeed, Angels won't be able to stop what's coming.

Anthony and Tyree exchange glances. Ignatius smiles as he looks at them.

CUT TO BLACK.

END OF TEASER

OPENING CREDITS.

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Katie Cassidy as Melissa

Rick Cosnett as Conrad

John Wesley Shipp as Ignatius

Peter Facinelli as Sebastian

Cam Gigandet as Anthony

Tyler Blackburn as Ben Morrison

Dylan O'Brien as Tyree

Lyssa Roberts as Haley

Sela Ward as Ashley Morrison

Melissa Martinelli as Ashley Morrison's Receptionist

Joe Heayn as Butler

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Various shoots of the city at the sound of 'Same Old Love' by Selena Gomez.

CUT TO:

EXT. P3 - DAY

MUSIC CONTINUES

Prue's car is parked outside P3.

CUT TO:

INT. P3 - DANCE FLOOR / BAR - DAY

Prue and Haley come from the warehouse.

MUSIC FADES OFF.

Prue and Haley stop as they see someone there: CONRAD.

CONRAD

Hi.

PRUE

(to Haley)

Haley, you can go now. See you tonight.

HALEY

OK, Prue. See ya!

Haley goes upstairs and leaves the bar.

PRUE

(to Conrad)

We are closed.

CONRAD

I know, but the front door was opened.

PRUE

Yeah, we were carrying some groceries from the car.

Both stare at each other.

CONRAD

I'm sorry. I shouldn't have come.

PRUE

It's OK, but I'm still married.

CONRAD

It's a shame.

PRUE

Conrad ---

CONRAD

I'm sorry. I should go.

At that moment, Melinda comes in from the entrance stairs.

MELINDA

Prue!

Melinda stops. She looks at Conrad.

MELINDA (CONT'D)

Hi.

CONRAD

Hi.

(looks at Prue)

I'm leaving. See you!

Prue forces a smile while he shoots her a look. Melinda notices the kind of look he gives to Prue. Conrad leaves.

MELINDA

Who was that?

PRUE

No one important.

Prue turns around.

MELINDA

Well, that no one important gave you a look.

PRUE

What look?

MELINDA

The kind of look that says he thinks you are someone important.

Prue takes a deep breath.

MELINDA (CONT'D)

Look, Prue, I know you and my brother are not OK lately.

PRUE

We've been talking. We'll be OK. It's us.

MELINDA

Are you sure?

Prue takes her hands to her hips, annoyed.

PRUE

Did you come here to talk about my relationship with your brother?

MELINDA

No.

Prue shoots her a look.

MELINDA (CONT'D)

I'm just worried.

PRUE

Don't be. We love each other. We are gonna be OK.

Melinda smiles.

PRUE (CONT'D)

So, why are you here?

MELINDA

I came to invite you for lunch at Halliwell's.

PRUE

Why?

MELINDA

(surprised)

Why? There has to be a reason for us to lunch together?

(pauses)

C'mon, Prue. Like old times. We have lunch, talk, go shopping. Whatever. We are besties, remember?

PRUE

Fine. Let's have lunch.

Melinda smiles big. Prue smiles.

CUT TO:

EXT. HALLIWELL'S - DAY

STOCK.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - DAY

There're no customers in there, only Pandora and Tamora. Tamora is sitting massaging her temples.

PANDORA

Felling better?

TAMORA

Almost.

Charlotte BEAMS in.

PANDORA

Hey, sweetie.

Charlotte looks at them.

CHARLOTTE

I didn't know you were coming to lunch as well.

PANDORA

Yeah, you know. Like old times. All the girls reunited.

At that moment, Cassandra comes in.

CASSANDRA

Sorry, I'm late. Just came from --- 

She looks at them.

CASSANDRA (CONT'D)

Well, you know where.

CHARLOTTE

When you said all the girls together you mean all the girls?

CASSANDRA

Yes, sis. Prue's coming as well.

PRUE (O.S.)

Correction. Prue's here.

They look at the entrance door where Prue and Melinda stand. Charlotte and Prue stare at each other for seconds. 

CHARLOTTE

(to Melinda)

You didn't mention it was this kind of lunch.

MELINDA

Well, I thought it was a good idea for us to hang out together.

Prue and Charlotte stare seriously at each other again. Tension is in the air.

CHARLOTTE

I'm sorry, I can't stay.

MELINDA

But Charlotte ---

Charlotte BEAMS out. Melinda is disappointed.

PRUE

(realizing)

She didn't know I was coming!

MELINDA

(to Prue)

You two need to talk.

PRUE

Well, tell that to her.

TAMORA

(stands)

So I've heard what happened.

PRUE

Yeah, that's a story for another day. Can we have lunch?

MELINDA

We need to wait for Bianca.

TAMORA

Great, let's wait for the Phoenix Witch so she can tell us exciting tells about her honeymoon.

PANDORA

I'll get the wine.

Pandora leaves the dining room.

CASSANDRA

(to Pandora)

I'll help you.

Cassandra follows Pandora.

PRUE

(to Tamora)

How was it in Philly?

TAMORA

Oh, it was good apart from the fact that Mike ignored me the whole time.

MELINDA

So, you didn't talk?

TAMORA

Oh, we did. On my last night there.

Prue and Melinda exchange glances.

TAMORA (CONT'D)

He was cold. 

(sad)

He said it was better this way. That he was moving on. He didn't say, but I think he's been seen someone.

PRUE

I'm sorry to hear that, honey.

TAMORA

It's OK. We had our chance.

(pauses)

I had my chance.

Some bells are heard by Tamora. Her head hurts.

TAMORA (CONT'D)

(holding her head)

Damn it!

PRUE

What is it?

Pandora and Cassandra come in bring two bottles of wine.

PANDORA

She's been that way since she came back from Philly.

TAMORA

It's just this bells in my head.

PRUE

Are you hearing bells in your head?

Tamora nods.

PRUE (CONT'D)

Have you told Aunt Paige about that?

TAMORA

What for? So she tells me to take some pills?

PRUE

No. To tell you that those bells are your charge needing you.

TAMORA

(annoyed)

What are you talking about?

MELINDA

Bells in your head mean that your charge needs you.

TAMORA

I don't have any charges.

PRUE

The Elders gave you one.

Tamora gets mad.

TAMORA

You know what? I need to go. Have a nice lunch.

Tamora heads out of the restaurant as Bianca comes in.

BIANCA

What happened to her?

CASSANDRA

Whitelighter's issues.

PANDORA

I guess it's lunch for five, now.

Pandora grimaces. They all exchange glances.

CUT TO:

EXT. BAY MIRROR - DAY

Cars pass in front of the building. Some people come out of the building.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

Wyatt and Chris are having lunch, Chinese food. Both men seem cheerful.

WYATT

(laughing)

You're kidding, right?

Chris eats a spring roll as he nods no.

WYATT (CONT'D)

I imagine his face.

CHRIS

It was funny.

Both seem very amused with the story. Melissa comes in. Wyatt stops laughing. Chris realizes Melissa's presence and stops laughing as well.

MELISSA

Why you guys look at me that way every single time we meet?

Wyatt and Chris exchange glances.

MELISSA (CONT'D)

I will only tell you when the right time comes.

WYATT

Fine, Melissa. We just want to know what's the mystery.

MELISSA

You will. Some day.

Melissa lands some papers at Wyatt's desk.

MELISSA (CONT'D)

There you have some copies of documents my contact at City Hall sent me.

Wyatt glances at the documents.

CHRIS

Documents that prove the Mayor is corrupt?

Melissa nods.

WYATT

I'll give it a look.

MELISSA

You should. There're big things in there.

Wyatt nods. At that moment, Damon SHIMMERS in.

DAMON

Hey, guys.

Melissa looks astonished to Damon.

MELISSA

What the hell was that?

Damon is surprised.

DAMON

I didn't know she was here.

WYATT

It's OK. She knows.

DAMON

Oh, she's the one.

Wyatt nods yes.

MELISSA

(to Damon)

Are you a witch too?

DAMON

Not exactly.

Melissa shakes her head.

MELISSA

I think I'm gonna get back to work.

Melissa turns around and leaves the office. She doesn't close the door completely after she leaves.

DAMON

I'm sorry, guys. I should have felt if there was someone else here.

WYATT

Or use the front door.

DAMON

I don't have time for that. I need your help. I could take care of that myself, but I never dealt with one of those.

CHRIS

One of what?

DAMON

My boss is dating a Shapeshifter.

WYATT

A what?

DAMON

What you heard. I kinda saw her changing. Can you help me with that?

CHRIS

Of course.

At that moment, the door opens again. Melissa comes in.

MELISSA

You've got take me in. I never meet a Shapeshifter.

WYATT

Melissa, what the hell! Did you hear the conversation?

Melissa nods.

MELISSA

Take me in. I can help.

WYATT

No. It may be dangerous.

Chris and Damon exchange glances. Wyatt and Melissa stare at each other.

MELISSA

I'll tell everybody about your secret.

They stare at each other.

WYATT

No, you won't.

MELISSA

OK, fine I won't. But please, let me help you.

Wyatt looks at Chris and Damon. Damon nods no.

CHRIS

Wyatt, no.

WYATT

(looks at Melissa)

Fine. But then, you have to tell us what we want to know.

Melissa thinks for a while.

MELISSA

I'll tell part of it.

Wyatt and Melissa look at each other serious.

WYATT

Fine.

Melissa smiles happyly. Chris and Damon exchange worried glances.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. NATIONAL MUSEUM - DAY

STOCK.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA'S OFFICE - DAY

Tamora comes in. Her right hand holds her head. She seems like she's having a headache. She puts her bag on the desk.

TAMORA

(desperate)

Stop it, please, stop it.

She tries to calm down. Closes her eyes and breaths slowly. Then suddenly, she opens her eyes. It has stopped.

TAMORA (CONT'D)

(surprised)

It stopped!

SEBASTIAN

Hi.

SEBASTIAN (37) stands behind her. He is a good looking man. Tamora turns around and looks at him.

TAMORA

Who are you?

SEBASTIAN

(smiles)

My name is Sebastian Whitmore.

BEAT. That's the name of her charge. Tamora looks astonished at him. He reaches out his hand towards Tamora. She looks at it and then, both shake hands.

TAMORA

Tamora Mitchell.

SEBASTIAN

(smiles again)

So nice to meet the woman who's taking care of me.

Tamora now gets even more astonished.

TAMORA

Come again.

SEBASTIAN

Yeah, you're the one who's gonna take care that my pieces of art are well treated while the exhibition goes on.

TAMORA

What exhibition?

Sebastian realizes Tamora is a little lost.

SEBASTIAN

I guess no one talked to you yet.

TAMORA

I guess not.

SEBASTIAN

Well, I'll explain.

Sebastian starts walking around.

SEBASTIAN (CONT'D)

I have a big collection of art and I've been negotiating with your boss so we can show it to the world.

(pauses)

It's a shame that it stays inside the walls of my mansion.

Tamora looks serious at him.

TAMORA

Why don't you go to an art gallery?

SEBASTIAN

Because my father was a huge fan of art and I remember him bringing me here when I was a kid.

He smiles. Tamora forces a smile.

SEBASTIAN (CONT'D)

Can we go to my place now?

TAMORA

(surprised)

What?

SEBASTIAN

(smiles funny)

To show you the pieces I want to exhibit.

BEAT.

TAMORA

Oh, huh, sure. We, just --- Yeah, sure.

Sebastian smiles big as he looks at her. She forces a smile, but she's unable to disguise the surprise.

CUT TO:

INT. HMB GROUP - DAMON'S OFFICE - DAY

Damon SHIMMERS in while Chris and Wyatt ORB in bringing Melissa. The girl feels dizzy.

MELISSA

OK. My head is spinning.

CHRIS

That's normal. You'll get used to it.

WYATT

No. she won't.

(looks at Melissa)

You shouldn't have come.

MELISSA

C'mon, Wyatt. I want to help.

DAMON

Yeah, about that, we should better get moving.

Damon heads towards the door and leaves the office. Wyatt, Chris and Melissa follow him.

CUT TO:

INT. HMB GROUP - HALL - DAY

There's some agitation in there.

Damon, Wyatt and Chris come in followed by Melissa. They look around. A woman is surrounded by a couple of receptionists. The woman looks like she has been hurt.

DAMON

That's it. The Shapeshifter.

WYATT

That woman? Are you sure?

CHRIS

It seems like something happened to her.

Damon approaches a man standing close to the woman and exchanges a few words with him while the others just wait. The man seems to be telling Damon what had happened with the woman. Moments later, Damon approaches Wyatt, Chris and Melissa.

DAMON

That is not the Shapeshifter.

WYATT

So?

DAMON

That's my bosses' girlfriend. It seems like the Shapeshifter changed again. She was found unconscious in the ladies' room.

WYATT

(to Damon)

Where did you see it changing?

DAMON

Come. I'll show you.

Damon heads out. They follow him.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - DAY

Melinda and Prue come out from the back.

MELINDA

All cleaned up.

(to Prue)

Thanks for helping me.

PRUE

Any time.

Prue sits at the corner.

MELINDA

Coffee?

PRUE

Please.

Melinda heads to the coffee machine and prepares coffee.

MELINDA

I'm sad it didn't work out.

Melinda glances at Prue.

MELINDA (CONT'D)

You and Charlotte.

PRUE

(cold)

Yeah, well, that's the way things are supposed to be.

Melinda looks at Prue, surprised.

MELINDA

You're colder.

Prue and Melinda stare at each other.

MELINDA (CONT'D)

Why don't you talk to her?

PRUE

Me? I have no reasons to look for her. She was the one who attacked me, remember?

MELINDA

Yeah, but you are the big sister.

PRUE

It doesn't mean I have to be sorry for something I didn't do.

Melinda takes the cups of coffee and hands one to Prue. Then, Melinda takes a sip of hers.

MELINDA

You are really colder.

PRUE

(thoughtful)

In another time, I would make her apologize.

(looks at Melinda)

But I have no powers to do that.

Melinda puts her cup of coffee on the counter.

MELINDA

Do you miss it?

They look serious at each other.

MELINDA (CONT'D)

Being a Shadow?

PRUE

Don't you? Don't you miss having power over things?

Melinda lowers her gaze.

MELINDA

It wasn't right, Prue.

PRUE

But at least none of this would have happened.

MELINDA

Do you regret the decision we took?

Prue thinks for a while.

PRUE

No. Wyatt was in danger. That was the only way.

Melinda looks serious at Prue while she has a sip of coffee.

PRUE (CONT'D)

But I miss the power. I really miss the power I had.

MELINDA

Prue ---

(holds Prue's hands)

--- You are powerful. You are one of the most powerful witches that ever walked on Earth.

Prue pulls her hands back.

PRUE

I don't want to be one of the most powerful.

(looks serious at Melinda)

I want to be the most powerful witch that ever walked on Earth.

Melinda is astonished.

PRUE (CONT'D)

The other day when I crushed Darla's heart --- It was ---

(emotional)

I felt again that whole power inside of me.

(pauses)

But then, I realized I was the same Prue without all those powers I had.

(pauses)

And last week? When Charlotte attacked me, my wish was to hurt her. But I couldn't, because part of me was telling me that it wasn't me.

Melinda is still astonished looking at Prue.

PRUE (CONT'D)

I know what you're thinking. Prue is becoming dark.

MELINDA

Does Wyatt know?

PRUE

That his wife is turning dark?

MELINDA

No, Prue, you are not turning dark. You are just ---

Melinda comes out the counter and approaches Prue.

MELINDA (CONT'D)

--- You just needed to talk, honey. I miss it too. Not like you do, but I admit it. It is hard to forget all the power we had when we ruled the world.

PRUE

(takes a deep breath)

Forget it. You know how dramatic I am.

MELINDA

You are not dark. There's not a single evil bone inside of you.

PRUE

Yeah, you know I'm attracted by evil, right?

MELINDA

I wouldn't call it attraction. You just were born in the manor. The important thing is that deep down you are good.

Melinda hugs Prue.

PRUE

Thank you for listening. I think I needed it.

MELINDA

You can count on me.

PRUE

Thanks.

They separate.

PRUE (CONT'D)

Don't tell Wyatt what we just talked. He has started looking at me like old times.

MELINDA

Honey, he never stopped.

PRUE

Still. Don't tell him.

MELINDA

Don't worry.

Both smile. Melinda hugs Prue once again.

CUT TO:

EXT. WITHMORE MANSION - ENTRANCE - DAY

CLOSE UP: A CAR BLACK ARRIVING.

The car is pulled over. Soon, Sebastian Whitmore comes out from his car and heads towards the co-pilot's door. He opens it and Tamora comes out of it. The girl looks astonished at the big mansion.

TAMORA

(surprised)

You live here?

SEBASTIAN

(smiles)

Now I do.

He signs her to follow him.

SEBASTIAN (CONT'D)

I used to live in Europe. My father used to live here.

TAMORA

Where is he now?

SEBASTIAN

(stops)

He died.

Tamora looks at him. She takes her cell phone from her bag.

SEBASTIAN (CONT'D)

Do you need to make a phone call?

He wasn't even looking at her. She's surprised.

TAMORA

Just texting.

CLOSE UP: CELL PHONE SCREEN AND TEXT MESSAGE: 'PANDORA' - I FOUND MY CHARGE.

Tamora clicks on the send button and the text is sent.

Sebastian heads inside the house followed by Tamora.

CUT TO:

INT. HMB GROUP - CLEANING STOREROOM - DAY

CLOSE UP: A LAYER OF SHED SKIN ON THE FLOOR.

The door opens. Damon, Wyatt, Chris and Melissa head in.

DAMON

Here.

(pauses) 

I was just passing by when I saw her leaving this room. She smiled at me and kept walking. I found it very suspicious. Why would she be in here?

(pauses)

I came in and found this.

Damon points to the layer of shed skin on the floor.

DAMON (CONT'D)

I swear I thought I would find that she was sheeting on my boss.

They look at Damon.

WYATT

Anyway, if the woman was found, it means that she had to change again.

MELISSA

She? Are Shapeshifters female?

They all exchange glances.

WYATT

We don't actually know what they look like.

CHRIS

We are more interested in vanquishing it.

WYATT

And that's exactly what we should do.

DAMON

And how do we do that?

MELISSA

(enthusiastic)

Yes, how do we do that?

WYATT

You don't do anything.

Melissa grimaces. Wyatt thinks for a while.

WYATT (CONT'D)

There's a potion in the Book of Shadows.

MELISSA

Do you have a Book of Shadows?

They look at Melissa astonished for how she knows about books of shadows.

MELISSA (CONT'D)

Since I found out about you guys, I've done my homework.

WYATT

(rolls her eyes)

Anyway, there's a potion there that can be used to destroy Shapeshifters.

CHRIS

I can ask Bianca to prepare it.

DAMON

But we still have a problem.

They all look at Damon.

DAMON (CONT'D)

How do we find the Shapeshifter?

They exchange glances. Wyatt has an idea.

WYATT

Luckily, I am married to a woman who has premonitions.

Wyatt smiles. Damon and Chris agree.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. WHITMORE MANSION - ROOM - DAY

The room is big and it has an uncountable number of piece of art. Sebastian opens the door and signs Tamora to come in. The girl is astonished as she looks around.

SEBASTIAN

This is just part of the big collection my father inherited to me.

TAMORA

You father was a great art collector.

SEBASTIAN

Not only my father. His father as well and my grandfather's father.

(takes a deep breath)

It runs in my blood. My family was always passionate about history.

Tamora looks at him.

SEBASTIAN (CONT'D)

Every single piece in this house has its own history.

TAMORA

I love history.

Sebastian smiles.

TAMORA (CONT'D)

I'm not the most clever of the family about history, but I kinda like it when it comes attached to art.

SEBASTIAN

Well, I can tell you the history behind every single piece in here.

TAMORA

(smiles big)

That could take us years.

SEBASTIAN

(smiles)

I have time.

Both look at each other deeply.

SEBASTIAN (CONT'D)

Come. I'll show you my favorite.

Sebastian takes her hand and drives her across the room.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES - DAY

A few people coming in and out the place. Cassandra walks in.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - MAIN ROOM - DAY

Cassandra comes in and looks around. She is looking for Pandora, but the woman is nowhere to be seen. She is about to ask someone when she sees a man coming out of a room and right after him, Pandora comes.

Pandora sees Cassandra and smile.

PANDORA

(smiles)

Cass!

Cassandra approaches her.

CASSANDRA

Do I want to know what you were doing?

PANDORA

You probably not.

CASSANDRA

(reproachful)

Pan!

PANDORA

What?

(innocent)

I took precautions.

CASSANDRA

You ---

Cassandra rolls her eyes.

CASSANDRA (CONT'D)

Anyway, you called me here.

PANDORA

(approaches her desk)

I did.

CASSANDRA

It's because of Tam?

PANDORA

Oh, no. My sister has found her charge so she is entertained. 

CASSANDRA

We could help her.

PANDORA

No. I called you here because I want to help Prue and Charlotte to get along again.

CASSANDRA

Oh, Pan, that's not a good idea.

PANDORA

Why not?

CASSANDRA

You didn't see Charlotte. I did. What she did. What she said. I think she has to be the one who takes the first step and talk to Prue.

PANDORA

But we can talk to Charlotte.

(pauses)

I talked to mom last night and she told me that Aunt Phoebe is worried. She's also thinking in interrupting the promotion of her new book to come and talk with them.

CASSANDRA

Not a good idea.

PANDORA

Then, we should talk to Charlotte.

CASSANDRA

(not convinced)

Are you sure?

Pandora nods yes.

CASSANDRA (CONT'D)

I think she's at Magic School.

Pandora smiles.

PANDORA

We should go.

They are about to head out, but Pandora turns around and looks at the man that came out of the room with her. He is at his desk. Pandora smiles, signs him goodbye. He smiles and signs her goodbye. Cassandra shakes her head.

CASSANDRA

Where is Drew?

PANDORA

(smiling)

In the past. Let's go.

Both girls head out.

CUT TO:

EXT. WHITMORE MANSION - DAY

STOCK.

CUT TO:

INT. WITHMORE MANSION - ROOM - DAY

Sebastian and Tamora are there. Sebastian is telling her the history behind a piece of art they are looking at.

CLOSE UP: SCULPTURE OF A WOMAN HOLDING A CHILD.

SEBASTIAN

It belonged to a queen from the fourteen century.

TAMORA

It's beautiful.

SEBASTIAN

My father gave it to my mother on the day they married.

TAMORA

That's why you love this piece?

They look at each other.

SEBASTIAN

It is indeed. My mother was a very special woman.

TAMORA

What happened to her?

Sebastian is blue.

TAMORA (CONT'D)

You don't need to tell me if you don't want.

SEBASTIAN

No. It's OK. She ---

Sebastian is about to tell Tamora about his mother, but he's interrupted by the BUTLER.

BUTLER

Mr. Whitmore, you have a visitor.

Sebastian looks at the butler.

BUTLER (CONT'D)

Mr. Anthony Torino.

Sebastian glances at Tamora.

SEBASTIAN

Would you stay for dinner?

TAMORA

(surprised)

Dinner? But ---

SEBASTIAN

(cuts her off)

Please. So we can keep talking.

They stare at each other for seconds.

TAMORA

(smiles)

OK.

Sebastian smiles at Tamora and then heads out of the room followed by the butler. Tamora smiles.

CUT TO:

INT. WITHMORE MANSION - LIVING ROOM - DAY

Anthony, the demon, is looking at some pictures that are over the piano. The room is large and its furniture is sophisticated. Sebastian comes in followed by the butler.

SEBASTIAN

Anthony Torino! 

Anthony turns around and looks at Sebastian.

SEBASTIAN (CONT'D)

What a pleasure.

Both men shake hands.

ANTHONY

I came as soon as I learned you were in town.

SEBASTIAN

You did well. You were one of my father's most loyal employees. You're always welcome here.

ANTHONY

(smiles)

Thank you.

(serious)

It's a shame he's not among us any longer. 

SEBASTIAN

It's life.

(pauses)

Tell me, Anthony, what can I do for you?

Both men stare at each other.

ANTHONY

I was hoping we could talk about business.

SEBASTIAN

(smiles)

You want to work for my company again?

ANTHONY

Why not? Those were the best years of my life.

The butler keeps standing at the entrance.

SEBASTIAN

Good. I have a guest for dinner, but ---

ANTHONY

I'm sorry, I didn't know.

SEBASTIAN

No, it's OK. She wouldn't mind.

Sebastian glances at the butler.

SEBASTIAN (CONT'D)

(to the butler)

Let them know it would be dinner for three.

Sebastian turns to Anthony who smiles. Somehow is seeing in his eyes that his plan is working.

CUT TO:

EXT. HMB GROUP - DAY

People come in and out the building.

CUT TO:

INT. HMB GROUP - CORRIDOR - DAY

Melissa walks back and forward. She seems annoyed.

MELISSA

(to herself)

This is ridiculous. I have to stay apart just because she doesn't like my presence.

Well, annoyed is not the right word, she's more like mad.

MELISSA (CONT'D)

Damn!

A WOMAN comes out from the bathroom and almost runs into Melissa barely looking at her.

MELISSA (CONT'D)

(mad)

Hey, be careful!

The woman turns around and shoots Melissa a look. A not so friendly look.

MELISSA (CONT'D)

Next time, be careful.

The woman looks at Melissa for a few more seconds and then turns around not saying a word. Melissa finds the situation weird.

MELISSA (CONT'D)

What a weird woman.

Melissa looks around and then decides to follow the woman.

CUT TO:

INT. HMB GROUP - OFFICE - DAY

The WOMAN enters the office. She doesn't close the door entirely. Melissa approaches the office. Melissa approaches her ear to the door and hears like a groan. Suspicious, she peeks inside and barely can see a woman tied up on the couch.

The woman who is tied up looks exactly like the one that just got into the office.

MELISSA

(astonished)

Oh my God!

That's when the door opens and the woman who's actually a Shapeshifter stands there.

SHAPESHIFTER

I hate nosy people.

Melissa is open-eyed looking at the Shapeshifter. Then, the Shapeshifter grabs Melissa and pulls her in the office with great strength.

CUT TO:

EXT. SAN FRANCISCO - DAY

Some fast shoots all over the city. The day is heading to its end.

CUT TO:

EXT. WITHMORE MANSION - DAY

STOCK.

CUT TO:

INT. WITHMORE MANSION - ROOM - DAY

Tamora is sitting in a corner as she flips a book. Anthony comes in not noticing Tamora in the corner. Tamora looks at him. She says nothing as well. She just looks at what he is doing.

Anthony approaches one of the book shelves and glances at all the books. It looks like he's looking for something. Tamora looks at him finding his attitude weird. Tamora stands.

TAMORA

Looking for something?

Anthony turns around and he barely can hide he's surprised to see someone there.

ANTHONY

Who are you?

TAMORA

Who are you?

Both stare at each other. Somehow Tamora is suspicious of him.

At that moment, Sebastian comes in. He seems like he was looking for Anthony.

SEBASTIAN

(smiles)

Oh, you are here.

ANTHONY

(disguising)

Sorry, Sebastian. I couldn't help it. I came into this room so many times with your father.

Sebastian lowers his gaze.

ANTHONY (CONT'D)

It reminds me of him.

SEBASTIAN

It's OK.

Sebastian looks at Tamora.

SEBASTIAN (CONT'D)

Anthony, this is my new friend ---

Sebastian signs Tamora to approach them. Tamora walks towards them.

SEBASTIAN (CONT'D)

--- Tamora Mitchell.

Anthony gives her a superior look.

SEBASTIAN (CONT'D)

Tamora, this is an old employee of my father, Mr. Anthony Torino.

(pauses)

He works with art as well.

Anthony reaches out his hand. Tamora glances at it and then both shake hands.

TAMORA

Pleasure.

Anthony forces a smile. Both Anthony and Tamora stare at each other deeply.

SEBASTIAN

I'll ask for them to serve us some tea in here.

The butler enters and Sebastian signs him something. The butler nods yes and leaves the room. Sebastian smiles at Anthony and Tamora.

CUT TO:

INT. HMB GROUP - OFFICE - DAY

Now, Melissa and the woman are tied up. In front of them, someone stands. The woman has a cloth covering her mouth. Melissa doesn't.

CLOSE UP: THE CAMERA MOVES UP AS IT SHOWS SOMEONE WEARING CLOTHES VERY SIMILAR TO MELISSA'S.

CLOSE UP: SHAPESHIFTER'S FACE. It has turned into Melissa.

MELISSA

It won't work. They'll know it's not me.

SHAPESHIFTER

I always wanted to take down some good witches.

MELISSA

They will vanquish you.

SHAPESHIFTER

(smiles wickedly)

What do a mortal like you know about vanquishing?

MELISSA

Good to be friends of witches.

SHAPESHIFTER

Not for long. As soon as I end them, I'll end you.

(pauses)

I knew since the moment I laid eyes on them who they were. And now they'll know who I am.

The Shapeshifter smiles victoriously.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HMB GROUP - DAMON'S OFFICE - DAY

Damon is there talking on the phone.

DAMON

(on the phone)

I'm sorry it didn't work out, honey.

He appears to be talking to Melinda.

DAMON (CONT'D)

(on the phone)

--- Yes, as soon as we finish here, I'll meet you. --- Love you too.

Damon hangs off the phone. Wyatt and Chris come in followed by Prue.

WYATT

She's here.

Prue looks around.

PRUE

Nice office. I've never been here before.

(to Damon)

Why?

DAMON

Sorry, I never invited you before.

(to Chris)

Have you got the potion?

Chris shows them the bottle.

CHRIS

I've got it.

WYATT

Good.

PRUE

(curious)

Potion for what?

CHRIS

Shapeshifter.

Prue smiles.

PRUE

Great! 

The boys exchange glances.

PRUE (CONT'D)

I've never met one.

WYATT

Oh, honey, that's not why we called you here.

Prue gets serious.

PRUE

You didn't call me here because you wanted me to incinerate the son of a bitch?

The boys exchange glances once again. Wyatt nods no.

PRUE (CONT'D)

(disappointed)

Then why did you called me here?

DAMON

Because we ---

Damon looks at Wyatt.

DAMON (CONT'D)

(to Wyatt)

Your idea. You tell her.

WYATT

(to Prue)

We need you to have a vision so we can learn who the bastard is.

Now Prue is really disappointed.

PRUE

You need me to have a vision? That's what I'm good for now? To have visions?

(mad)

Among all my great powers, the one you need is a vision?

WYATT

Love, you are pretty good at it.

CHRIS

Indeed. That's one of you best powers.

PRUE

I'm greater with fire.

Prue turns around.

CHRIS

We actually just need a potion to vanquish the Shapeshifter, so your firepower won't be needed.

PRUE

(turns around)

Of course, it won't. But I just ---

Prue is cut off by the entrance of Melissa. Actually, the Shapeshifter turned into Melissa. Prue is surprised as she looks at the person she thinks is Melissa.

PRUE (CONT'D)

(turning red)

What is she doing here?

SHAPESHIFTER

I came to help.

(to the boys)

I know where to find the Shapeshifter.

DAMON

You do?

The Shapeshifter nods yes.

MELISSA

I saw it changing.

PRUE

(mad)

She came to help?

(looks at them)

Does someone care to explain to me what the hell is going on here?

Wyatt and Prue look at each other deeply.

CHRIS

Prue, no time for that. We'll explain later.

DAMON

Yeah, we have a Shapeshifter to vanquish.

(to the Shapeshifter)

Where is it?

SHAPESHIFTER

Follow me.

The Shapeshifter leaves the office followed by Damon and Chris. Wyatt and Prue keep staring at each other.

WYATT

Are you coming?

PRUE

Why would I? You have enough help and I have a club to take care of. 

(serious)

Good luck.

Prue BEAMS out. Wyatt takes a deep breath.

WYATT

Damn!

CUT TO:

INT. MAGICAL SCHOOL - BIG HALL - DAY

The room is empty. Charlotte comes in carrying some books. Pandora and Cassandra come following her. They seem like they're trying to convince Charlotte of something.

PANDORA

C'mon, honey. She's your sister.

Charlotte approaches a table and puts the books on.

PANDORA (CONT'D)

Besides, she did nothing.

Charlotte turns around and shoots them a look.

CHARLOTTE

She did nothing? She did nothing? She kept Eric's secret from me.

CASSANDRA

(serious)

Oh, that's why you're mad now? I thought I heard some other reasons before when you were trying to kill our sister.

Charlotte and Cassandra exchange serious looks.

PANDORA

(to Charlotte)

I don't know what exactly happened between the two of you, but what I know is that this time you are the one who needs to apologize.

Charlotte rolls her eyes.

PANDORA (CONT'D)

I know you lost Eric ---

CHARLOTTE

I didn't, he is just away for a while.

PANDORA

And he won't be back until you realize that you are the one who's getting between you and him.

Cassandra and Pandora look serious at Charlotte who lowers his gaze.

CHARLOTTE

(giving in)

Fine. I'll think about it. Now, let me work.

Charlotte takes the books back in and leaves the room. Cassandra looks at Pandora.

CASSANDRA

You should have been a Cupid, you know?

PANDORA

(smiles)

I know about sisters. So ---

Both smile. Someone's phone rings. It's Cassandra's. She picks it up.

CASSANDRA

(on the phone)

Hello?

CUT TO:

INT. MORRISON'S HOME - BEN'S BEDROOM - DAY

Benjamin is in his bedroom talking on the phone.

BEN

Hello, Cassandra. It's Ben.

He smiles.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Cassandra is on the phone. She shoots Pandora a look. Pandora signs her trying to know who is on the phone.

CASSANDRA

(surprised)

Ben? How did you get my number?

CUT TO:

INT. MORRISON'S HOME - BEN'S BEDROOM - DAY

Ben is still on the phone.

BEN

I asked for it to my mom's receptionist.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Cassandra is surprised.

CASSANDRA

And she gave it to you? Shouldn't it be against rules?

CUT TO:

INT. MORRISON'S HOME - BEN'S BEDROOM - DAY

Ben smiles.

BEN

What can I say? I'm charming.

(pauses)

Look, I just wanted to know if somehow, eventually if I ask you out you would say yes?

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Cassandra smiles.

CASSANDRA

Who knows. Maybe I would.

BEN (O.S.)

Maybe I ask you someday.

CASSANDRA

Good.

BEN (O.S.)

Bye, Cassandra.

CASSANDRA

Call me Cass.

CUT TO:

INT. MORRISON'S HOME - BEN'S BEDROOM - DAY

Ben smiles.

BEN

Bye, Cass.

Ben hangs off the phone. He smiles.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Cassandra hangs off the phone. She smiles. Pandora notices it.

PANDORA

Who was it?

CASSANDRA

Just someone.

PANDORA

(smiles)

Well, is that someone cute?

Cassandra smiles shy.

CASSANDRA

Let's go.

Cassandra heads out.

PANDORA

(smiling)

Oh, little Cass is back on the game.

Pandora seems happy. She heads out as well.

CUT TO:

INT. HMB GROUP - OFFICE - DAY

The Woman and Melissa are still tied up. Wyatt, Chris and Damon come in. They look astonished at them.

WYATT

What is happening here?

The Shapeshifter turned into Melissa comes in. She closes the door behind her.

SHAPESHIFTER

What happens is that you came after the wrong demon.

They turn around to face the Shapeshifter.

MELISSA

She's the shifter.

The Shapeshifter smiles.

WYATT

Don't get any closer.

CHRIS

Yes, we know how to vanquish you.

But it gets closer to Chris and puts its hand on his neck. The Shifter seems very powerful.

The Shifter throws Chris against a wall.

WYATT

Chris!

Chris falls down unconscious. Wyatt is about to approach his brother, but the Shifter gets in the middle.

SHAPESHIFTER

Now you, dear.

Before the Shifter touches Wyatt, he WAVES his hand and throws the Shifter against the opposite wall.

Both women look astonished at the whole scene. Damon rushes to release the women. The Shifter gets up fast.

DAMON

Wyatt, the potion.

WYATT

Chris has it.

Damon starts untying the women.

WYATT (CONT'D)

(to the Shifter)

You messed with the wrong people.

Chris starts waking up as the Shifter gets closer to Wyatt. Wyatt sees Chris waking up and tries to distract the shifter.

WYATT (CONT'D)

(to the Shifter)

You Shifters are disgusting.

SHAPESHIFTER

And you witches are what?

CHRIS

(from behind the Shifter)

Your end!

Chris throws the potion to the Sifter and it blows up.

WOMAN

What the hell was that?

DAMON

(disguising)

Visual effects?!

The woman is horrified.

WYATT

C'mon, we've got to take them out of here.

MELISSA

You guys don't have a spell or something to make her forget, do you?

CHRIS

We'll fix it.

Damon drives the horrified woman out of the office. Wyatt, Chris and Melissa exchange glances.

WYATT

We should get out of here too.

Melissa and Chris agree.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

The moon starts appearing in the sky.

CUT TO:

INT. WITHMORE MANSION - LIVING ROOM - NIGHT

All three come in the living room.

SEBASTIAN

What a pleasant dinner.

ANTHONY

(smiling)

Indeed. It reminded me of when your father was alive.

Both man smile. Tamora looks at them.

TAMORA

Guys, I --- It was a lovely evening, but I have to get going.

SEBASTIAN

(sad)

Tamora, already?

Tamora forces a smile. Anthony looks at her weirdly.

TAMORA

Yeah. But I'll be back so we can talk about the exhibition.

SEBASTIAN

Tomorrow?

TAMORA

Yes, sure.

SEBASTIAN

Let me ask someone to take you home.

TAMORA

Oh, no. I can call a cab. Don't worry.

Tamora picks her bag from the couch and signs them goodbye.

TAMORA (CONT'D)

(to Sebastian)

Thank you for the dinner.

(to Anthony)

Nice to meet you.

ANTHONY

You too, miss.

Tamora smiles and leaves the room. Sebastian turns to Anthony.

ANTHONY (CONT'D)

(interested)

Are you planning an exhibition?

SEBASTIAN

Indeed, I am.

Anthony looks around.

ANTHONY

Hey, I was thinking, I remember your father showing me a collection of books. The Book of Angels?

Sebastian looks at him seriously.

SEBASTIAN

My father showed you the collection?

ANTHONY

(smiling)

Yes, he did.

(pauses)

Do you mind if I see them?

Sebastian shoots him a look.

SEBASTIAN

Of course. Come.

Sebastian heads out of the room. Anthony follows him.

CUT TO:

INT. WITHMORE MANSION - ROOM - NIGHT

Sebastian comes in followed by Anthony.

SEBASTIAN

My father used to keep the books in a secret place.

ANTHONY

Yes, I remember. The books are rare.

SEBASTIAN

They are unique.

Sebastian heads to a shelve. He opens what seems to be a secret compartment.

CLOSE UP: WHAT SEEMS TO BE A COLLECTION OF BOOKS.

Sebastian stands looking at the books.

SEBASTIAN (CONT'D)

So unique that I doubt my father would show them to anybody.

Sebastian is about to turns around when he is hit in the head and falls on the floor. Close to him is Anthony holding an ancient sword. Anthony smiles.

CLOSE UP: SEBASTIAN LYING ON THE FLOOR.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN.

EXT. WITHMORE MANSION - PORCH - NIGHT

Tamora is coming downstairs. The butler stands in the doorway as she comes downstairs. She looks for something in her bag.

TAMORA

(annoyed)

Oh, c'mon, where is it?!

She looks for it once more, but nothing. Then she gives up.

TAMORA (CONT'D)

I should have left it inside.

(annoyed)

Damn! I need my phone!

She turns around and heads into the house where the butler is still standing in the doorway.

CUT TO:

INT. WITHMORE MANSION - ROOM - NIGHT

Sebastian is still on the floor. Anthony approaches the books and takes one of them.

CLOSE UP: BLACK BOOK WITH THE NAME IN GOLDEN FONT 'VII - SPELL OF ANGELS'.

Anthony smiles as he looks at it. He flips through the book.

CLOSE UP: ANTHONY'S FINGER FLIPPING THROUGH THE BOOK. IT'S EMPTY.

No words written inside. Anthony is confused. He starts getting mad.

ANTHONY

What the hell?!

Tamora comes in.

TAMORA

Sorry, I forgot my ---

She cuts herself off as she sees Sebastian on the floor and Anthony holding the book close to Sebastian's body. Anthony turns around.

TAMORA (CONT'D)

--- Phone. What the hell is going on?

Anthony drops the book.

ANTHONY

Oh, you couldn't just go. Whitelighter!

Tamora realizes he is a demon.

TAMORA

It's actually Witchlighter, demon!

Anthony creates a FIREBALL and throws it her direction. Tamora ORBS out. The FIREBALL hits a flower pot. Tamora ORBS back in.

TAMORA (CONT'D)

And he is my charge!

She points to Sebastian. Anthony creates another FIREBALL and throws it towards her. This time, Tamora reaches out her hand.

TAMORA (CONT'D)

Fireball!

She ORBS the FIREBALL back to the demon. It hits him and he blows up immediately. Tamora breaths relieved. Then she runs towards Sebastian. The man starts waking up.

TAMORA (CONT'D)

Hey, are you OK?

Sebastian is confused.

SEBASTIAN

What happened?

Tamora helps him to stand.

TAMORA

What do you remember?

Sebastian tries to put things together.

SEBASTIAN

(looking around)

I was here with ---

He realizes Anthony is not around.

SEBASTIAN (CONT'D)

(confused)

--- With Anthony. Where is him?

TAMORA

Then? What happened then?

SEBASTIAN

(still confused)

I was showing him ---

Sebastian realizes the secret compartment open. He looks at the floor and the seventh book is there.

SEBASTIAN (CONT'D)

(disguising)

--- Something. And then I was hit on the back.

TAMORA

Yeah, well, I think your friend was trying to steal from you.

That's Tam's explanation.

SEBASTIAN

He did?

TAMORA

Yeah. He ran away when I came in.

Both look each other for moments.

SEBASTIAN

Are you saying that you save me, Miss Mitchell?

Tamora smiles sweetly.

TAMORA

I guess I'm your guardian angel, Mr. Whitmore.

SEBASTIAN

Lucky me.

Both stare at each other smiling accomplished. Yes, that kind of look.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

MUSIC: "Dark Paradise" by Lana Del Rey.

Town's lights are on. Fast motion images of the town: Twin Peaks, Port of San Francisco, an aerial view of the town, etc.

CUT TO:

EXT. BAY MIRROR - NIGHT

The lights on the building are all on.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - NIGHT

Wyatt comes in followed by Chris and Melissa.

MELISSA

--- So she won't remember?

CHRIS

Indeed. Cleaners.

MELISSA

(to Wyatt)

Do I wanna know?

WYATT

No.

Melissa nods.

WYATT (CONT'D)

But we do.

Melissa takes a deep breath.

MELISSA

Wyatt ---

WYATT

(cuts her off)

We had an agreement. Besides, Prue is going to kill me because I took you into the hunt.

Melissa looks at Chris who nods.

MELISSA

(sighs)

Fine. I wanted to know more, but I don't. Yet.

WYATT

About what exactly?

MELISSA

(serious)

My father's death.

Wyatt and Chris exchange glances.

MELISSA (CONT'D)

He died when I was ten and I'm sure it wasn't a thief like the cops said.

WYATT

You never told me about how your father died.

MELISSA

Because telling the official version was lying.

CHRIS

So according to you, how did your father die?

MELISSA

(serious)

A demon killed him.

Wyatt and Chris exchange serious glances.

MELISSA (CONT'D)

I was there. I saw it.

Wyatt and Chris exchange glances again and then look at her. The girl lowers her gaze sad.

CUT TO:

EXT. DAMON'S FLAT - NIGHT

From outside it's seen the lights in Damon's flat are on.

CUT TO:

INT. DAMON'S FLAT - DINING ROOM - NIGHT

MUSIC FADES OFF.

Melinda is putting the table. Damon comes in. It seems like he just arrived home. He stands at the doorway contemplating Melinda who doesn't realize he's there.

DAMON

(smiles)

That's exactly what I need.

Melinda turns around and looks at him.

MELINDA

(smiles)

Well, I'm glad I'm a good cooker.

DAMON

I wasn't talking about the dinner.

MELINDA

Long day?

DAMON

You can say that.

He approaches her and kisses her softly.

DAMON (CONT'D)

How was yours?

MELINDA

A total flop.

DAMON

Oh, so lunch didn't go well?

Melinda nods no.

MELINDA

I think that wound between the two of them won't heal easily.

DAMON

You have to give them time.

MELINDA

I don't know, Damon. I think it's going to take more than time to make them get back to what they were.

DAMON

Yeah, honey, but the only ones that can solve it are they.

MELINDA

I know.

She forces a smile. Then she kisses him.

MELINDA (CONT'D)

Now, head to the shower while I finish dinner.

DAMON

Yes, boss.

They kiss again. Then, Damon heads out. Melinda is serious for a moment. Then, she sighs.

CUT TO:

INT. WITHMORE MANSION - BASEMENT - NIGHT

The place is dark. One can barely see there. The door opens. Sebastian comes downstairs. Sebastian turns some blue lights on. The place seems like a secret cave. Remember Batman? Well, almost.

He approaches a glass table where some books are exposed. He looks at them.

CLOSE UP: SEVEN BLACK BOOKS WITH GOLDEN FONT. THE BOOKS OF THE ANGELS.

SEBASTIAN

You were right, father. They already came looking for them.

He passes his hand over the glass.

SEBASTIAN (CONT'D)

But I will protect them. I won't let them get the books.

(pauses)

And I promise you, I'll find her. I'll find your friend's daughter and will protect her as well.

Sebastian is serious.

CUT TO:

EXT. P3 - NIGHT

The music is heard outside. People is heading into the club.

CUT TO:

INT. P3 - VIP ROOM - NIGHT

MUSIC IS HEARD.

Prue is there sitting at the couch. Conrad steps in.

CONRAD

Why in the world are you alone?

Prue looks up at him.

PRUE

(smiles)

I don't know, but I feel it won't last long.

CONRAD

You're right, miss.

He sits right beside her.

CONRAD (CONT'D)

I'm not planning in leaving you so soon.

Both look at each other deeply.

CONRAD (CONT'D)

I still think it's a waste.

PRUE

What?

CONRAD

It's a waste of time you being married to him.

Prue deviates her eyes from him.

CONRAD (CONT'D)

He should be here with you, Prue.

She looks at him.

CONRAD (CONT'D)

You are beautiful and where is him?

PRUE

Working.

CONRAD

Working? Prue!

He approaches her.

CONRAD (CONT'D)

You should come first.

Conrad touches her face softly. Prue closes her eyes for seconds and then opens them again.

CONRAD (CONT'D)

If I were him I wouldn't take my eyes off you. I would give you the world.

Their faces get closer.

CONRAD (CONT'D)

You would come first.

They are almost kissing, but Prue gets up.

PRUE

(nervous)

You are very sweet, Conrad, but I love him.

Conrad gets up.

CONRAD

I'm sorry, Prue.

PRUE

(smiles)

It's OK. You know what? I'll get us some drinks and we can talk. As friends.

CONRAD

(forces a smile)

Great idea.

Prue smiles. She leaves the small room. Conrad is serious.

CONRAD (CONT'D)

You'll thrust me, Prue. You will.

Conrad is really serious. Evilly serious.

CUT TO:

INT. P3 - DANCING FLOOR / COUNTER - NIGHT

The club is full of people dancing all over the dancing floor.

The DJ is playing the music. Prue is inside the counter preparing some drinks. She's almost finishing when someone hugs her from behind.

WYATT

Missed me?

Prue turns around.

PRUE

(surprised)

Wyatt!

They look at each other.

WYATT

I'm sorry. Taking her with us was the only way for her to tell us about the favor she wants from us.

PRUE

Did she?

WYATT

No yet, but she told us something.

PRUE

I don't want to know. Not tonight.

Wyatt kisses her.

WYATT

Why don't we go home? We deserve it.

Prue takes a deep breath.

PRUE

We do indeed. But first, tell me, Wyatt, do I come first? In your life, do I come first?

Wyatt smiles.

WYATT

(assuring)

You always come first.

Prue smiles. Then, they both kiss each other.

From the VIP room's entrance, Conrad looks at the serious. Really serious.

ON HIS FACE. The image...

CUTS TO BLACK.

END OF THE EPISODE